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Season’s Greeting 季度问候 Risograph 孔版印刷 9.5x13.5cm 2023
Season's Greeting is a calendar for 2024, inspired by Vivaldi's four seasons. The high pitch and low pitch of the fast violin represent different seasons, and each season interprets the storyline with complicated movements. The protagonist of the story has been overlooking the roof of the tower for a long time, following the growth of flowers and the ripples of the rain, entering the mountains and fields.

“季度问候”是2024年的日历。灵感来自维瓦尔第的四季,快速的小提琴的高亢与低沉表示不同的季节,每个季节以繁复的乐章阐释故事情节。故事的主人公长久地在塔楼的天台俯瞰,追随花的生长、雨的涟漪,进入山间田野。



Flaneur 漫游者 Animation 动画 2023
Flaneur is a French term used by nineteenth-century French poet Charles Baudelaire to identify an observer of modern urban life. Baudelaire identified the flaneur in his essay The Painter of Modern Life as the dilettante observer. The flaneur carried a set of rich associations: the man of leisure, the idler, the urban explorer, the connoisseur of the street. Such a figure can be seen featured in many impressionist paintings. The flaneur has become an important figure for scholars, artists and writers and was taken up in the twentieth century by the Situationists. ——The Tate

Flaneur 「漫游者」一词源自 19世纪法国诗人使用的术语。诗人查理 ·波德莱尔在他的 《现代生活的画家》中称漫游者为"城市业余观察员〞。漫游者有着一系列丰富的联想:休闲者、游手好闲者、城市探险者、街头鉴赏家。在许多印象派绘画中都可以看到这样的人物。漫游者己成为学者、艺术家和作家的重要人物,并在20世纪被情境主义所采用。——泰特美术馆





Solo Exhibition 个人作品展Oil painting 油画 2018-2023
Canvas is roamable due to perspective. Jingsi Chen exhibited works in a wide variety of categories, covering oil paintings, paintings on paper, book creations, and manuscripts. In my opinion, what connects works of various materials is not her creative techniques and display forms, but the perspective relationship among them. In Chen Jingsi's pictures, you can often find childish brushstrokes and simple shapes, even geometric shapes in the illustrations as if completely flattening the picture, condensing perspective into colour blocks, lines and textures in the plane. Watching and wandering in this rich visual relationship is to visit the perspective world she created. The poster captures a part of her painting and arranges it with words that are clearly distinguished by colour and size as if to let it participate in the perspectives of the picture. — Low sek-vai

画布因有透视而可漫游。陈静思的展出作品涵盖油画、纸本绘画、书籍创作、手稿,品类丰富。在我看来联结着各种材质作品的,不在于她的创作技法与展示形式,而是联结其中的透视关系。陈静思的画面经常能发现稚拙的笔触与简易的形体,甚至在插画中还有极具几何风格的形态,仿佛把画面完全压扁,将透视浓缩成平面之中的色块、线条与肌理。在这丰盈的视觉关系之中观赏与漫游,即是在她创造的透视世界中游览。海报截取她画作的局部,用被颜色与大小明确区分的文字安排其中,仿佛让其参与到画面的透视之中去。——劳硕维


A Reading Cat 一只阅读的猫 30x24cm 2018
Folk 民谣 22x14cm 2017
An Autumn Afternoon 秋刀鱼之味 14x22cm 2019
In the Mood for Love 花样年华 14x22cm 2019
The Table 桌子 30x40cm 2016
Self-portray 自画像 31x36cm 2017
Melancholy Woman 忧郁的女人 30x40cm 2018
Midnight 午夜 35x25cm 2016
Mild Wind 微风 35x25cm 2017
Red Desert 红色沙漠 14x22cm 2019
Rest 休憩 30x40cm 2018
Outside the Window 窗外 22x16.5cm 2018
Retreat from the Storm 从风暴中撤退 16.5x22cm 2019
Tobari 山海塾 21.5x30cm 2019
The Artist's Studio 艺术家的画室 30x40cm 2018
The Four Times 四次 24x30cm 2017
The Hill 山丘 14x22cm 2017
The Wave 浪潮 14x22cm 2017
©️Jingsi Chen 2025